The Case For High-End Audio: The Super Audio CD

I’d say it’s a safe bet to say that most of us listen to music. We all enjoy our favorite artists and like to listen to music in the car, at work, or while just relaxing at home. But some of us are complete snobs and are picky about our music and audio. For those of you who share this trait, there’s the ostracized SACD and DVD-Audio formats. Exceptional quality and clarity, limited availability, and an inflated price are all a part of these two formats. Is it worth buying or investing in one of the two formats? It depends.

This past weekend I was rocking out for a good hour or two. I have plenty of audio equipment that I’m not even going to talk about aside from the basics. I use an iMac G5 (last edition) with M-Audio Studiophile AV40 monitors through an M-Audio FastTrack Pro digital I/O interface. This is used mostly for movies on the computer and digital audio like MP3s and FLAC. For the rest of my stuff, I use a Sony receiver that’s pretty decent and a Sony equalizer along with some Sony bookshelf speakers that have both subs and tweeters built-in.

Playstation 3 owners should take note that their PS3 will play SACDs. Just make sure you use a great sound setup with your unit.

So during this rocked-out weekend, I decided it’d be a worthy investment to buy a Sony SCD-CE595 SACD (Super Audio CD) Player. It was only $150 at Best Buy, I needed a new component CD player for my system, it has a 5-disc changed, and of course, it plays SACDs. I snatched it up and had to drive to two other Best Buys before I was able to find a few SACDs to purchase. The price of an SACD I’ve found to average around $15 both online and in stores. I decided to go with Peter Gabriel’s “Shaking The Tree” and Ryan Adams’ “Rock N Roll” — both excellent CDs with great production and two of my favorite artists. I also took the liberty to order two more SACDs off CDUniverse as well: Pink Floyd’s “Dark Side of the Moon: 30th Anniversary Edition” and The Police’s “Synchronicity”.

I got home, set it all up, positioned myself, and threw in the Peter Gabriel SACD I bought. Literally, right off the bat, you can tell the difference in quality. The highs sound clearer, the bass resonates deeper, and so much more. Ryan Adams’ “Rock N Roll” sounds like the band is right in front of me practicing studio sessions. Guitars sound so unreal, you’ll be blown away. Truth be told, the only way to experience it properly is to give it a listen yourself.

When the day was done, I had spent about $200 total for a SACD player and 4 CDs. Not too bad at all. But should you give a damn and try it out for yourself? It depends. If you’re someone who is passionate about music and has a decent, $400+ component audio system already (not a home theater in a box!), then it might be worth a shot. Just make sure you browse over sites like CD Universe and Sony Music to see what artists have SACDs available.

Like I said, catalogs are limited and you might not find everything you’re looking for. Because the format is so niche, not many artists are putting their music out on SACD. Genesis just announced that 14 of their albums will be re-mastered and re-released on SACD, so there are some exceptions.

Personally, I’d say if you need to buy a new CD player for your component system or if you appreciate the quality and production of certain artists, SACD is the way to go. I’ve heard DVD-Audio before and it’s pretty similar, but I haven’t spent enough time with it yet to pass judgment. Before buying an SACD player, you should look for the following:

  • Music - Do the bands or artists you listen to have SACDs available? How much will they cost you? Are they readily available or will you have to wait a month or two to receive it?

  • Cost - Do you really want to shell out $150 - $500 for a player? The choice is yours of course and everyone has a different budget range. The $150 Sony I got sounds fine and looks great, but the titles will start killing me after awhile.

  • Equipment - Are you going to integrate the SACD player into your existing setup or are you buying all new equipment? To take full advantage of the clarity of SACDs, you need the right gadgets. A receiver, equalizer, and decent pair of speakers or 5.1 setup will get you going in the right direction.

    Though not everyone is going to rush out an buy SACDs after this, I hope a few of you readers will consider it. High-quality audio is truly an amazing sound to hear through one’s ears and once you start, you don’t want to regress back to lossy formats. Playstation 3 owners should seriously consider buying a SACD or two to check the sound out for themselves. Just know that although the format has only a small fan-base and virtually no popularity, it’s far from dying. SACD is not going to become the next Betamax, it’s just a niche format for picky people when you break it down… I hope.

    40 Comments/Pingbacks so far

     
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    Jason (Who am I?)

    Please keep in mind that Sony speakers are hardly high-end audio. Although only audiophiles will really get into a big argument about it, I’d recommend Paradigm as a great speaker of choice for an excellent price.

     
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    Scott (Who am I?)

    I bought an OPPO DV-981HD for the 1080p DVD upconversion capability, and I saw that it can also can play SACD (& DVD Audio), but I’ve never really gave much thought to it, to be honest. They *may* sound better than the 384 kbps MP3s I usually buy, but I can copy/move/rip/burn my MP3s wherever/whenever I want. Can’t say the same about SACDs.

    I’d throw a few in a “Wish List” for someone else to buy for me, but I doubt I’d buy one for myself, and judging from the selection of titles, there very well may be just a few I’d want:

    http://en.wikipedia.org/wiki/Super_Audio_CD

    “As of January 2007, there have been over 4,000 SACD releases, a little over half of which appear to be classical. Jazz appears to have fewer releases, and popular music, mainly remastered previously released albums, appears to have even fewer releases than Jazz.”

    Although, Dark Side of the Moon in 5.1 intrigues me…….

     
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    Marc (Who am I?)

    What other formats can the SACD player accommodate?

    I’m rather clueless about the SACD players,
    but (IMHO) ‘they’ certainly would sell more of these players if they
    could play CDs/DVD’s with AAC/MP4, MP3s, and WMA files on them.

    Include a (21?)-in-one card reader
    (or a USB 2.0 port to plug-in your own card reader or USB Flash Drive)
    and you have a real nice replacement for your old CD player!

    How about a ‘rip to the USB 2.0 port’ capability as well?

    None of the aforementioned would drive the price that much higher, really.

     
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    Scott (Who am I?)

    Marc: you don’t look for SACD players, you look for CD/DVD players that can handle SACD format.

    For example, the OPPO I mentioned in my previous post can play “regular” DVDs (and upconvert them to 1080p), DVD & CD (+/-R/W, DL), DVD Audio discs, SACD, HDCD (whatever that is), Kodak Picture Discs, MP3, WMA, DivX, Xvid, and on & on & on… $229

    http://www.oppodigital.com/dv981hd/dv981hd_features.html

     
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    nobody (Who am I?)

    One of the great experiences in listening to SACD or DVD-audio is the 5.1 surround sound. However, most home theater system do no justice to real 5.1 music. Most home theater systems use two good main L R speakers or perhaps a good center speaker. But the rear channels usually just use crappy speakers because in movies, the rear speakers are usully used for occasional sound effects like explosion, background chats etc. When real 5.1 music on SACD or DVD-audio is played, sometimes music and vocals can go to all speakers. So unless you invest on good quality speakers equally on all 5 channels, the sound will not come out right.

    I would say you should upgrade the rear channel speakers and your 5.1 receiver before buying the disc players.

     
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    nobody (Who am I?)

    Perhaps there are more audiophiles in Asia, I notice that the Asian market release their music on SACD much much much more than the US music industry. In the US, MP3 is the main thing. The music producers do not need to do much when the music is to be listened through tiny ear buds.

    On most low end home theater systems, the center speaker is only good for dialogs and the rear speakers are only good for bacground noise. They are never good enough for SACD nor DVD-audio.

     
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    Jon Lee (Who am I?)

    Scott, you pointed out the only reason why I haven’t really thought too much about SACDs: lack of classical, and more importantly, jazz releases.

    I listen to my fair share of “the music of the times”, but when it comes to music whose quality really concerns me, SACDs are lacking in numbers. Nuts.

     
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    the truth! (Who am I?)

    I just bought a PS3 and was disheartened to realize that in order to get SACD playback you NEED to use HDMI…Toslink Optical doesn’t cut it. Is this the case for stand-alone SACD decks?

     
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    yagyu (Who am I?)

    I have a sony dvd player with SACD capability and toslink optical doesn’t work for me either. No biggie, but I was kind of surprised.

     
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    Tim (Who am I?)

    I’ve been on this for a while, most DVD players now play either DVD-Audio or SACD; both in many cases. My old Toshiba plays both, my Oppo (older than the one mentioned above) plays only DVD-Audio.

    In my experience, I don’t see either SACD or DVD-Audio as the superior format, they’re both good.

    Some attributes of note for each:

    SACD: compatible with a standard CD player… play it in the car… but that will have no advantage in sound over a standard CD.

    DVD-Audio: Usually includes videos and normal dvd-audio 5.1 mix. THIS IS NOT as good as the high bitrate mix that is also included, FYI! Also normally includes videos. DualDisc versions has a standard CD of the release on the flipside, but some players (none of mine) apparently have problems with this..

    OF NOTE: All Creative Audio cards for the PC, from Audigy 2 and beyond (including Xtigy) will decode DVD-Audio discs nicely.

    Scott, no offense, but 384kbps MP3s are shiite compared to DVD-Audio and SACD. Give it a try. Dark Side of the Moon in 5.1 is something you owe yourself to experience. Mastered from the original quadrophonic recordings, you’ll hear things you’ve never heard before, and they’ll sound like they’re in the room with you.

    There is also a bootleg of Pink Floyd’s Wish You Were Here in 4.1 on the net… mastered from the original quadrophonic recordings. Sure, I’d buy a legit release of this when it becomes available, but for now there is an alternative.

    The Flaming Lips DVD-Audios are also highly recommended.

     
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    Nobody (Who am I?)

    Don’t bother with the SACD of Dark Side Of The Moon. Yeah, it’s decent, but if you want to be blown away, you need to download the Ultimate DSOTM 4.1 DVDA. Search the torrent sites. You’ll find it. It’s not a sanctioned or probably even a legal mix, but it was made from the original master tapes of DSOTM, and it the most incredibly eye opening version of the album I have ever heard. It is nothing short of amazing.

     
    J

    Both DVD-Audio and SACD required you to use the 6-channel inputs and not your decoder [Coax or Toslink] to be sure you couldn’t rip a digital track of such quality since HDCP wasn’t around as a trusted container. HDCP over HDMI offers that security so I think as more amps handle HDMI/HDCP natively the more SACD/DVD-A will be adopted. [e.g the PS3 echoing the comment above]

     
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    Otaku2 (Who am I?)

    For me, the major advantage of DVD-A over SACD is that DVD-A can be ripped to hi-res digital audio with the proper software, whereas SACD cannot.

     
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    Lionel Mandrake (Who am I?)

    My Denon DVD-1920 player also handles SACD’s.

    The Dark Side of the Moon SACD is nothing less than incredible. I was stunned to find stuff that I had never heard before in this “evergreen” CD. Amazingly, I’ve probably listend to Dark Side of the Moon more than 500 times in the past 30 years.

    But this SACD yielded an entirely new, exciting listening experience.

    LM

     
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    richard (Who am I?)

    As a self proclaimed tweak (2 full systems in the house, one pure 2 channel high end and one multi channel mid-line) - here’s why you want SACD, DVD-audio and DTS music disks - plain and simple, they contain more data. And there is a marked difference once you get away for the basic SONY gear and spend a few more $$ on good amplification and speakers. Best bang for the buck in speakers I’ve seen in a number of years is Monitor Audio out of the UK (monitoraudio.co.uk) - combined with, say, Yamaha amplification, you will spend not much more than the sony stuff and be far happier. btw…..I have the 5.1 of Dark Side as well as some Paul GIlbert dts, Alan Parson’s Gaudi - and it is amazing!

     
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    richard (Who am I?)

    oooppppssss…..forgot - most systems support toslink for output provided you have the right decoding gear - otherwise, use the integrated 5.1 output of the player

     
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    pedro (Who am I?)

    I’ve had a DVD-Audio player for years now and the only problem is the smaller selection of music. One guy here pointed out that you should make sure you have high quality speakers for all 5.1 channels which is definitely the case. The other thing you should get an idea of is that for your music to come naturally at you from 5.1 channels, it has to have been recorded with mics situated in the same 5.1 physical orientation. I seriously doubt that Pink Floyd dark side of the moon would have been recorded this way. Obviously, the publisher would take the original tracks and run them through a processor to “simulate” the 5.1. Some people may not care, but I personally like to hear the music as close to the natural sound as possible so “processing” by my amplifier silicon or by the publisher doesn’t interest me.
    The best reason to get a DVD-A or SACD player is when you find the recordings that make you feel as though you’re sitting in front of the musicians.

     
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    audiophile since the 60s (Who am I?)

    I would beg to differ that $400.00 worth of audio equipment in the path between your audio data source and your ears would allow you to tell much of a difference. Many or all of the titles you mentioned were originally recorded on multi track analog tape.
    The reason CDs and SACDs sound better than the old vinyl is the much wider dynamic range available. Individual tape tracks or frequency bands can be dynamicaly enhanced and digitally “cleaned” to sound different and hopefully better than the previously rendered version.

     
    Eric0116

    Yes, TOSLINK does not have enough bandwidth to handle the uncompressed format. I use a six piece analog cable into my receiver from a Sony DVD/SACD 5 disc player. It is essential that your receiver either handle bass management via the analog source (the Harman Kardon 745 I use does) or your player handle it. For details on this, go to avsforum.com.
    BTW, my two cents, I love SACD, but it is a dead format. We seem to want worse quality via 128K MP3s, not better. The market has spoken.

     
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    Paal (Who am I?)

    the truth! mentions something EXTREMELY important… SACD came around before digital audio connectors were standard… so you really only have two options for connectivity: multi-channel analog connection (six discrete connectors) or HDMI for full-bandwidth digital transfer… if you don’t use one of those two, you aren’t actually experiencing SACD — DVD audio, on the other hand, will work over a fiber optic connection.

    of course, then you have to be aware that many many surround sound receivers do not have multi-channel input, nor do they have HDMI processing (even if they do have HDMI switching) …audiophile audio is not an area to tread into lightly

     
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    bryan (Who am I?)

    MusicGiants ( http://www.musicgiants.com ) offers SACD and 5.1 Surround Audio in downloadable digital files. You will need big pipes as the files are huge compared to compressed MP3s, but the sound quality is amazing.

     
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    muhadeeb (Who am I?)

    What ever happened to SATD or super audio tapes. Come on now, when I here that a guy tells me that his super audio tape is better than CD. Now its gonna be SACD thats better than all the rest.

     
    b

    Please keep in mind that he thinks Rock N Roll is a good album. Even Ryan Adams says, “yah what was I thinking with that one.”

     
    Mark

    I happen to have some very expensive audio components and spent a ton of money on an SACD capable player. I have a couple of CD and SACDs from the same title. I’ve found that in order to hear the improvement you really have to compare back to back. The CD format itself is capable of very high sound quality. What hurts sounds quality more than anything are the modern production techniques of applying too much compression, e.g. RHCP Californication, U2, or any rap album.

    SACD is nothing more than a way to continue license revenue from the soon-to-be or maybe no-longer-copyrighted Red Book CD standard.

     
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    Mark (Who am I?)

    I happen to have some very expensive audio components and spent a ton of money on an SACD capable player. I have a couple of CD and SACDs from the same title. I’ve found that in order to hear the improvement you really have to compare back to back. The CD format itself is capable of very high sound quality. What hurts sounds quality more than anything are the modern production techniques of applying too much compression, e.g. RHCP Californication, U2, or any rap album.

    SACD is nothing more than a way to continue license revenue from the soon-to-be or maybe no-longer-copyrighted Red Book CD standard.

    And 5.1 works for movies but is useless for music, IMO.

     
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    macmvn (Who am I?)

    The whole Genesis catalog is being released in Multichannel SACD, 2 Channel PCM, Digital Dolby 5.1 and DTS 5.1 starting in March 2007 through March 2008. They have been working on this since 2003. It will be a 2 Disc set with audio and video content. Finally, A Lamb Lies Down On Broadway in SACD.

     
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    girant (Who am I?)

    i have been listening to SACDs for a long time and they are about as close as you can get to vinyl records. only a few places have a decent selection, like Acoustic Sounds. Once you start hearing music in 5.1, you won’t wanna go back.

     
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    Mike Stafford (Who am I?)

    Just for some clarification, DVD-Audio has been replaced by the DualDisc format. New releases should not be happening anymore.

     
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    Chris (Who am I?)

    I’ve been saying for years now, that if the traditional music industry wants to compete with mp3s they need to offer the consumer more value for their money. CDs are 25 year old digital technology and have always sounded terrible. MP3s are worse. DVD has become cheap. Imagine the sound quality that could be had from an album using all 4GB of space on a DVD. I expect it may even approach the quality of vinyl. Many people won’t be willing to download that 4GB for 60-90 minutes of audio. This is where the industry could have a chance to do something very positive. Offer consumers more. Audiophile quality, the jewel case, liner notes, all the things they can’t get for free online. Or keep pushing the same horrible 25 year old tech, see where that gets you.

     
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    rolf (Who am I?)

    The trouble is the DRM crippleware they are loaded with. That is why they have never succeeded. I have over 5000 flacs from CD’s, I will start buying higher bitrate music when I can load it into my home server and back it up using standard DEPENDABLE electronic copying methods.

    Why should I rent my music library?

     
    Anonymous

    One thing to note, only Hybrid SACDs are will play on normal cd players and there a quite a few SACDs that aren’t hybrid. Also, there are SACD players that you can just connect stereo RCA jacks to and use the 2 channel track of the SACD. I have a 2 speaker setup and on my system you can really tell the difference between SACD and CD. The way I see it is if you can compare an 384k mp3 to an SACD, save the money and keep on trucking with your mp3s. It’s all about opinion.

     
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    fak3r (Who am I?)

    nice writeup, when it was time for a new dvd player at my house I bought one that would do cd/dvd/dvd-a/sacd, and I’m very glad I did. The few sacds I have sound tremendous, for rock things, I have the Ryan Adams “Heartbreaker”, you’re right, the instruments are so clear, it really sounds ‘live’. Then there’s the jazz (drool) I’ve ‘rebought’ a few Sonny Rollins and Coltrane things, and I think this is where the long term appreciation will come in. Look at folks that hang on to LPs considering them to be better than cds, I don’t know if they would go to sacd instead, but for ppl like me I can see my sacd jazz collection growing up to match my cd jazz collection one day. If they keep re-releasing them, I’ll keep buying (or rebuying). Long story short, I agree with you 100%, if you’re up for a new cd player, might as well get one that does dvd audio and sacd as well. Of course this will make you look into a better amp, then better speakers, then…

    ;)

     
    Phil

    Can’t believe no one linked to http://sa-cd.net

    SACD is a niche market: a market that is doing just fine, thank-you.

     
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    Ugly American (Who am I?)

    No. They can shove them.

    Both SACD and DVDA are crippled by DRM and the quality is ruined by digital watermarking.

    And they’re incompatible due to the same Sony vs The World mentality that is keeping HD-DVD from going mainstream.

     
    Anonymous

    An “audiophile” that uses $150 M-Audio Studiophile AV40 bookshelf speakers? Ok…

    It’s a newsflash that 1-bit 2.8224MHz DSD SACD audio & 24-bit 96 kHz DVD-A audio sounds better than 16-bit 44.1kHz CDs? Welcome to the 1990s & the world of pro audio!

     
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    Optical (Who am I?)

    An “audiophile” that uses $150 M-Audio Studiophile AV40 bookshelf speakers? Ok…

    It’s a newsflash that 1-bit 2.8224MHz DSD SACD audio & 24-bit 96 kHz DVD-A audio sounds better than 16-bit 44.1kHz CDs? Welcome to the 1990s & the world of pro audio!

     
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    skeptic (Who am I?)

    Sorry, but SACD is complete and utter bullshit. There are two possibilities here that explain why you think it sounds better:
    1) Placebo effect. If you expect something to sound better, it will. I don’t care how dramatic you claim the difference is; unless you can successfully distinguish between sources after repeated blind tests, you _must_ assume it’s a placebo. Ask Wikipedia about ABX testing for more info on this.
    2) If you are comparing the quality of the SACD layer to the CD-DA layer, be aware that record labels deliberately master the CD layer poorly so as to trick you into thinking SACD sounds better.

    SACDs are pure snake oil. Don’t be an audiophool.

     
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    Vince Veneziani (Who am I?)

    Jon,

    There are TONS of classical and jazz releases on SACD. In fact, they make up about half of the SACDs available! Do some digging and I’m sure you’ll find what you’re looking for.

     
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    Vince Veneziani (Who am I?)

    Whoops!

    Also, as for crippleware, no SACD burners/rippers/PC-based drives exist for purchase. So who cares about DRM? Certainly not I at this point. I have no need to download or share my SACDs.

     
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    mike kobrin (Who am I?)

    I have a copy of Sonny Rollins’ Tenor Madness on CD and SACD. My listening room is acoustically treated, and I’ve got big B&W speakers hooked up to an HK receiver and Onkyo player… The difference between *stereo* performance on these was extremely subtle and I had to keep going back and forth between the two formats to hear it.

    But when I switched to a HeadRoom Desktop Headphone Amp and my Sennheiser HD650’s, the differences really jumped out at me. Sadly, one of those differences turned out to be imperfections in the original recording…

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