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Sennheiser HD650: My Favorite Headphones
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by Blake Robinson on May 30, 2007

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In the iPod age, headphones have become a fundamental part of lives of practically everyone. While many individuals are complacent living in lo-fi, unaware of the depths their music holds, some intuitive listeners yearn for something better. For those select few, it is often necessary to own two sets of headphones: a pair of earbuds and a pair of muffs, such as the HD650s.

Released in 2004 the Sennheiser HD650 rig is a heavy favorite of audiophiles everywhere — and for good reason. The 650s combine unparalleled comfort with some of the lushest sound quality to be found on any setup.

I began my love affair with Sennheiser about 10 years ago with a pair of HD570s (they just died this year, and they were used a lot). Those, like the 650s, utilize an open-ear design that doesn’t completely seal you off from the outside world. It also allows your ears to get some air which is conducive to long stretches with them attached to your head — which coincidentally make them ideal for gaming.

To be perfectly honest, part of my difficulty with conducting my review of these things is that every time I put them on to thoroughly consider music through them I became so engrossed that I lost my train of thought. It’s happening right now as I try to write this.

You can spend untold gobs of money on home-theater systems, but when you get right down to it, nothing is going to sound better than something like this. They offer a delicate balance of bass and highs that, while not the punchiest on the market, seems to serve perfectly any sort of music I’ve fed them.

My most consistent experiment involved Andrew Bird and the Armchair Apocrypha. I’ve listened to it about 1,000 times now and every time I’m humbled, both by Bird’s exquisite Apocrypha and by how the stellar craftsmanship of the HD650s augments the composition.

I’m not going to waste your time by presenting technical details about impedances and other jargon that ends up being irrelevant in the long run. What I will say is that for any music fiend and burgeoning audiophile a pair of headphones of this caliber can (and likely will) change your life. They will, absolutely, be that thing to send you tipping over the edge into financial ruin as you seek some greater audio high.

Buy these at your own peril. For once you do, you’ll find yourself on a downward spiral. Not only will you become jaded toward everything else available, you’ll inevitably end up plunking down loads of cash on silly crap like upgrade cables, then $1,000 headphone amps and prohibitively expensive SACDs in a last ditch effort to push something new and beautiful into your ears. It’s truly worse than smack (not that I have any familiarity with that).

The 650s currently have an MSRP of $499, but they can be had readily in the range of of $400. It’s cringe worthy, but investing in a pair of 650s is somewhere in line with buying a piece of art, except more rewarding. It’s a tool that allows you to listen to your favorite music in depths you’ve never before considered.

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  • I have a pair of the HD 280 Pros and like them a lot too. The closed back design is great at isolating outside noise, but yes, after a while, my ears begin to hurt and get hot.

    I have a couple of questions about the HD650:
    1. With the open back design, is there a lot of sound leakage? i.e. Since I work in an office setting, will I bug my neighbors with my thrash metal?
    2. Also with the open back design, can I tune out the noise around me without damaging my eardrums?

    BTW, I also completely agree that you really need 2 headphones. I also have a pair of Shure E3c earphones that I use for commuting on the train. But the Sennheisers are essential for the office since I’m always putting them on and taking them off.

  • In regards to the bleeding, it’s def not an issue. You’ll get some if you crank it way high, but you really shouldn’t be listening to it that high–nor do you need to. I don’t find the ambient noise to be an issue. If someone comes and speaks directly to you, you can probably hear most of what they’re saying, but the surrounding sounds aren’t a nuisance, especially with thrash metal.

    As for my earbuds, I’m using a pair of Ultimate Ear triple.fi 10 pros. They might not be the best, but there is, at least, nothing better. I think the Etymotic ER-4S probably has truer sound, but it’s less appropriate for subway commutes and such. They also necessitate an amp and will not work with a lone iPod.

  • “I’m not going to waste your time by presenting technical details about impedances and other jargon that ends up being irrelevant in the long run.”

    Sorry Blake but ive been in the game too long to let that one go – high impedence phones need more juice period to sound their best. Also, you could be rocking Stax electrostats for all I care but if your SOURCE is crap then so is the sound – so someone looking to hook up a HD650 to a iPod loaded with 128kbps mp3s might as well stick with their stock buds :P.

    That said, you are making me miss my HD600s (what a classic) but I’ll just melt that away by slipping on my AKG K701s. :D

    Roger, your neighbors will hear you with the HD650s. Nature of the beast.

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