Now that I’ve had a couple days with the Turbines, I think it’s time for a full review.
I’m sad to say that my initial praise may have been premature having listened to a few CDs (I had to open up moving boxes in my apt to find one) and comparing these against my Shure SCL3s and Ultimate Ears Super.fi 5 Pros. I also brought in my secret weapon Dave R. to consult. He’s a professional sound engineer who specializes in monitors and has toured with The Cure, The Used, Linda Ronstadt, Interpol, Yellowcard and Fall Out Boy, so he knows this stuff inside and out.
With any in-ear monitor the biggest challenge is to find a tip that actually isolates and blocks everything out. I’ve found that foam tips work best, but the Turbines come with two types (trees and mushrooms) each having three sizes. You might as well skip the mushrooms because they don’t block anything out.
The Turbines impressed me because the highs snapped hard without any distortion, but the low-end just drops out. I found one track where the low-end could be felt, but couldn’t replicate that feeling or experience with any other track that I know has lots of low-end bass. Dave’s first response was just that, so we went through a number of tracks before concluding that the Turbines missed the mark there. I will, however, continue to try and replicate the thump I felt from Akon’s “I Wanna Love You.” But, as I said before, the highs snap and kick much ass.
Monster’s first effort into the in-ear monitor is a good start, but they’ve got some work to do. Compared to my Shures (these aren’t perfect, but they sound great from low to high) and UEs (these are amazing) the Turbines lack the full body experience. If Monster is as passionate about the true audiophile experience as Kevin Lee says they are, then I’m sure they can scale the experience down to an in-ear monitor. But for now, the Turbines are not it. Monster really needs to start making custom ear moldings for their monitors to take advantage of the drivers that are powering the Turbines. It’s the only way to get a proper seal. The Beats by Dr. Dre, on the other hand, are fantastic.
i have a pair of these as well. just got them today. im more of a car audio guy and love the low end (bass-head). i play bass heavy songs like “bass i love you”, “bassotronics”, and some bass heavy techno. the bass is there, now for beeing able to feel it, no. but i did play a 50 hertz tone, and wow, i could feel that, but not in the songs. weird.
oh, and i love the design as the refer to their RCAs. very cool.
Ya they sound really good if…….you hold them in with your fingers. They don’t fit at all. My $50 Panasonics fit way better and block out more ambient noise than these $200 Monsters. Given when held in though, they do sound very nice. Just make em fit better, thats all.
I would like to ask the person who started this thread (the initial reviewer), did you happen to allow your Turbines to burn-in before you reviewed them? They need at least a good 100 hours of burn-in before they begin to sound the way they were intended to.
So maybe you shouldn’t be so quick to pass judgment on them.
“The Cure, The Used, Linda Ronstadt, Interpol, Yellowcard and Fall Out Boy”
Those are pretty epic fail musicians, are you sure that’s legitimate enough to be called a reference?
Not sure why you are talking about, the bass on these is fantastic. You probably just weren’t able to get a proper seal on your ear. If the Shures (which I find awful to be honest) work for you then try using the Shure’s ear tips (the foam is nice) with the Turbines.