The first high-def footage off the Canon 5D Mark II was a commercial shot by renowned photographer Vincent Laforet. If you haven’t seen the video, it is simply amazing and will certainly be shown at countless camera shops for years to come. Canon has been hosting the raw footage for anyone to download and ‘cording to Laforet’s blog, the traffic is too much for Canon. The sample video will probably be available after today, but if you want the raw footage, you have less than five hours to grab it before it’s pulled at midnight EST, tonight.

We’ve been teased with screenshots and a camera phone video, but here is Vincent Laforet’s high-def commercial shot on a preproduction Canon EOS 5D Mark II and the HD picture is stunning.

The highly anticipated first look at the 5D’s high-def capabilities has leaked onto YouTube. Fortunately for Canon, and not so much for us, the video isn’t the HD version, but rather a crappy camera phone capture of the $4,200 commercial playing on a laptop. Even still, you can tell through the 21-second preview that this Laforet’s project is going to be hot. Expect more to come as soon as Canon gives the green the light for the real thing.

via PDNPulse

Update: The real video will go live within 12 hours.

Professional photographer Vincent Laforet happened to be at the NY Canon HQ when a shipment of pre-production Canon EOS 5D Mark II arrived and before he knew it, he had shot an high-def commercial with the 21.1 MP DSLR. PDNgearguide posted a great weekend read ’bout the whole experience, but from the sounds of it, this camera might be a game changer with great HD video, relatively low initial cost and the ability to use any previous Canon EOS lenses. The $4200 commercial Laforet shot will be available as soon as Canon gives it the green light so you Canon fanboys might want to hold your breath ’till we all can peep the actual footage – or until a side-by-side like the Nikon D90 and Panasonic HVX200 video test appears.

Update: Laforet’s blog has some of his own thoughts and three more screencaps of the commercial. 

It produces the best video in low light that I’ve ever seen – at 1080p.   A top commercial film editor who  who regularly edits RED camera footage – and has seen the raw footage from the 5D MKII – says the 5D MKII is “far superior to the RED camera” in terms of low light performance…

The Canon EOS 5D Mark II broke cover earlier in the week and while pics of the camera are available, pics from the camera were absent; that is until the camera aficionados at Digital Photography Review released the first set. There are 40 images available in their full resolution for you camera nerds to drool over. 

Per a Canon employee talking to Tech Digest, the engineers behind the 5D Mark II were held back by the megapixel race instead of focusing on the sensor. The chaps in marketing reportedly wanted to beat out Nikon’s latest DSLR flagship (rumors says it’s coming tomorrow 9/18 btw) and us consumers are apparently dumb, paying attention just to the mighty megapixel. 

This engineer indicated that if they would have throttled the megapixels back and added the 50D full frame sensor, the camera could have been so much better. While it’s hard to say if the engineers claim that the new DSLR is only slightly better than the old model so soon, the 21 megapixels do jump out and catch ya – you know, marketing wise. 

Good amounts of consumers still feel the need to buy megapixels. It is almost as they have been conditioned by Moore’s Law that the latest and best technology has the highest, most, or fastest spec. Nevertheless, cameras hit a megapixel roadblock years ago and generally by cramming more of ‘em in smaller sensors, results in more digital artifacts, or noise. So let’s not fall for marketing ploys anymore. Maybe if the megapixel truth would have been pounded a few years ago, we would have seen a better Canon 5D Mark II today.

Alongside the new EOS 5D Mark II, Canon is launching a new EF-series lens. 

Featuring a 13-element, 10-group lens, the EF 24mm f1.4L II USM is designed to achieve the highest standards of image quality. Two high-precision GMo aspheric lenses are employed to correct various forms of aberration such as curvature of field and distortion, with a floating mechanism ensuring crisp corner-to-corner detail throughout the focal range. In addition, two UD lenses reduce the chromatic aberration common in wide-angle lenses.

If all that makes sense to you, that means you’re the target market. Price and availability not announced.

PR

Hot on the heels of the D90 we find the 21-megapixel EOS 5D Mark II, a $2,699 monster with a 50-25,600 ISO range with a full-frame 24×36mm CMOS sensor. The kit with lens costs $3,499.

Most interestingly is the 1920 x 1080 pixel HD video at 30 fps. While these new video features are a bit hard to stomach – DSLRs take pictures well but rarely take good video – but clearly some of this tech is getting more and more impressive. It’s basically a nice value-add.

The camera also has live view on screen along with standard views through the viewfinder. Let’s call it a “really nice camera” for professionals and the rich and leave it at that, shall we? That doesn’t mean I don’t covet this camera. I covet, friends. I covet.

CANON U.S.A. INTRODUCES THE HIGHLY ANTICIPATED
EOS 5D MARK II DSLR CAMERA FEATURING FULL-FRAME HD VIDEO CAPTURE

The Canon EOS 5D Mark II Escalates Full-Frame Digital SLR Photography to the Next Level with
HD Movie Recording Capabilities, DIGIC 4 Imaging Processor, and 21.1 Megapixel Resolution

LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon’s highly popular EOS 5D, introduced in 2005. Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers. Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon’s EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor, DIGIC 4 imaging processor and significantly lower noise, with an expanded sensitivity range from ISO 50 to ISO 25,600.

“The anticipation surrounding the launch of this camera model has exceeded our greatest expectations, and we believe our loyal customers will be awed by the level of innovation and features built into the new EOS 5D Mark II Digital SLR. Once they have the chance to experience the camera, we believe they will agree that it was worth the wait,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.

Among the many advancements in Canon’s new EOS 5D Mark II camera is the Company’s proprietary DIGIC 4 Imaging Processor that powers the camera’s fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor and continuous shooting at 3.9 frames per second (fps) for an unlimited number of full-resolution JPEGs to the capacity of the memory card or up to 14 RAW images in a single burst when using a UDMA CF card. The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance. The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera’s 2.5-inch screen, for enhanced clarity and color when viewing images. The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage, giving a new dimension to the saying, “what you see is what you get.” Professional photographers will also appreciate the enhanced 150,000-cycle shutter durability of the EOS 5D Mark II camera.

Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera’s newly developed full-frame CMOS image sensor. Utilizing proprietary Canon technology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stops higher than the ISO 3200 limit of the original EOS 5D camera. Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction. By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.

With the combination of its improved CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS 5D Mark II camera provides ISO speeds from ISO 100 up to ISO 6400 in 1/3-stop increments, along with two high-speed settings – H1 and H2 – of ISO 12800 and ISO 25600, respectively, as well as a low-speed setting of ISO 50. The full-frame sensor maximizes the performance of Canon EF lenses, the world’s largest selection of autofocus lenses.

HD and SD Video Capture
Canon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR. Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera. Video capture is part of the camera’s Live View function, using the Picture Style that has been set for Live View still image shooting. This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image. When recording video, the camera’s rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera’s HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.

The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first. Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition.[i]camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV. Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM[ii] without compression. The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II

Live View Shooting
For both still images and video, the Canon EOS 5D Mark II camera features Live View, one of the most sought after features in digital SLRs today. The 5D Mark II features three Live View AF modes – Quick, Live and Face Detection Live mode – for capturing either still photos or video, each with its own attributes. Quick mode automatically sets One-Shot AF using the camera’s phase detection AF system. It also allows users to select the AF point, even while the Live View image is displayed. Although the camera’s reflex mirror must be lowered briefly to take an AF measurement in Quick mode, it is the fastest way to set focus automatically when the 5D Mark II camera is set for Live View.

Live mode uses contrast-detection AF with the image sensor and here, as with Quick mode, users can change the AF point using the Multi-controller. Face Detection Live mode uses contrast AF to recognize human faces. When multiple faces are detected, the largest face closest to the center of the frame is targeted as the AF point. While Live View is engaged users can still change settings including the AF mode (Quick, Live, Face Detection Live mode), drive mode, ISO speed, Picture style, White Balance, and more.

Peripheral Illumination Correction
The Canon EOS 5D Mark II Digital SLR camera automatically conducts peripheral illumination correction when shooting JPEG images, a function that previously could only be accomplished through post-image processing using software such as Canon’s Digital Photo Professional, which Canon supplies at no extra charge. Peripheral illumination correction evens brightness across the image field, making an image of a blue sky even toned throughout and reducing light fall-off at image edges. This new feature essentially eliminates one of the limitations of previous full-frame digital SLRs.

Auto Lighting Optimizer
Canon’s enhanced Auto Lighting Optimizer technology helps ensure each picture’s subject is clearly visible by analyzing image brightness and automatically adjusting dark areas in images so that they appear brighter. This function is ideal in high-contrast situations such as urban landscapes captured on sunny days, where the tops of buildings are brightly lit while street level details are obscured by heavy shadows. In this type of scene, the 5D Mark II camera’s Auto Lighting Optimizer technology preserves accurate exposure of the highlights while opening up the shadow areas for a more pleasing tonal rendition.

Canon’s New Creative Auto Mode
Recently introduced with the new EOS 50D, Canon’s “CA” Creative Full Auto setting can also be found on the EOS 5D Mark II Digital SLR camera’s mode dial. This setting allows users to make image adjustments such as aperture or shutter speed through an easy-to-understand navigation screen on the camera’s LCD menu, allowing them to “blur the background” or “lighten or darken the image.” These easy-to-understand image options allow photographers to experiment with image options while still shooting in an automatic mode.

Two Small RAW Formats
For photographers seeking the flexibility and creative possibilities of shooting RAW format images, without the large file size, the Canon EOS 5D Mark II Digital SLR camera offers two more manageable file size options with sRAW1 and sRAW2 recording formats. At the sRAW1 setting, resolution is 10.0-megapixels with a file size that is approximately 25 percent smaller than a standard 21.1-megapixel RAW image. With the sRAW2 setting, resolution is 5.2 megapixels at less than half the file size of a standard RAW image, retaining all of the flexibility and creative possibilities associated with full-size, conventional RAW images. Wedding and portrait photographers, in particular, will appreciate the options of variable resolution and file size which allow them to fine-tune the 5D Mark II’s operation for their specific needs.

Silent Shooting in Live View
Canon has equipped the EOS 5D Mark II with two Silent Shooting modes in Live View which will prove particularly helpful to law enforcement officials, and for behind-the-scenes shooting on movie sets. In Mode 1, the camera will shoot with the mechanical shutter open at the beginning of the exposure, using the electronic 1st-curtain function of the CMOS sensor and a reduced shutter-cocking noise, allowing multiple shots to be taken with minimal noise. In Mode 2, to minimize shutter noise during single frame photography, shutter cocking does not occur until the shutter button returns to the half-way position after shooting.

EOS Integrated Cleaning System
With the introduction of the EOS 5D Mark II camera, the entire Canon EOS system is now equipped with the highly acclaimed EOS Integrated Cleaning System. The Self-Cleaning Sensor Unit for the Canon EOS 5D Mark II has been upgraded with a fluorine coating on the low-pass filter for better dust resistance.

Pricing and Availability
The Canon EOS 5D Mark II Digital SLR camera is compatible with Canon EF lenses and is scheduled for delivery by the end of November. The EOS 5D Mark II will be sold in a body-only configuration at an estimated retail price of $2,699[iii]. It will additionally be offered in a kit version with Canon’s EF 24-105mm f/4L IS USM zoom lens at an estimated retail price of $3,499[iv].

New EF 24mm f/1.4L II USM Lens
The new EF 24mm f/1.4L II USM lens is the successor to Canon’s EF 24mm f/1.4L USM professional wide-angle lens released in 1997. Targeting professional photographers, the new EF 24mm f/1.4L II USM lens has been introduced to address the advancements high-resolution digital SLR cameras with re-designed optics and use of a new anti-reflection lens coating called SWC (Sub-Wavelength Structure Coating) to minimize ghosting and flare. Features such as dustproof and waterproof construction that have been adopted make this a high-performance lens with specifications that respond to the demands of professional users. A welcome complement to the EOS 5D Mark II Digital SLR camera, the EF 24mm f/1.4L II USM lens is scheduled to be in stores this December at an estimated retail price of $1,699[v].

A US and European teaser seems to point to an upcoming 5D that may or may not eclipse the the closest competitor. More as this evolves… tee hee.

via DPR

This is possible because the Mk II is rumored to use a next generation CMOS with “vastly improved” light-gathering capability and signal/noise ratio. It will also have a new version of the Digic III image processor. It’s supposed to be announced on April 22 and be available in early June for ~$3500. Hit the links or the [more] for the full specs.

5D II Spec Sheet I & II [DP Review forums, via Photography Bay]

The rumored “3D” is to feature:

15.1 megapixels (full frame)
14 bit color
Digic III image processor
ISO 100 to 6400(up to 12800)
AF like 1Dmk III
3 fps [only?]
3 inch screen
A sort of smaller 1D body,with integrated grip but not rear lcd panel [not sure what this means]
1 flash card slot

The supposed 5D replacement:

12.8 megapixels
14 bit color
Digic III image processor
ISO 100 to 3200 (up to 6400)
Improved 9 point AF
4 fps
3 inch screen
Improved body

We’ll see how this pans out. Interesting to say the least.

DPReview Forums

More Canon 5D Mark II Rumors [Photography Bay]

Gizmodo found some leaked photos of the unannounced 5D Mark II on some crazy German forum. No details are known yet other than it will replace the current 5D, so a similar feature set is assumed. Make of it what you will, but this SLR sure is purdy.

Update: Alright so this is definitely fake. Oh well, there’s always hope.
Canon EOS 5D Mark II Gets Spotted Bigfoot Style [Giz]